INTRA-FORUM CONTEST #7
CRITIQUES BY
Peter M
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ARTIST & SONG |
RANKING
ON 6 |
COMMENTS |
| 01-Iggy It's OK |
6
|
I liked the music very much. Production
is significantly glossier than I tend to fancy, but I understand what
you were going for. Very clean and professional pop ethics to the production.
Keeping the melody nice and simply gave the song a lullaby-ish mood, and
the piano complimented that well. Varying the piano arpeggio in the later
verses could have added a greater sense of "movement" to the
song.
I detect a strong solo-Lennon influence here...that forebeat music hall sound. "Grow Old Along With Me" and "Real Love", two songs I really like, sprang to mind. I didn't like the lyrics much. I know we're supposed to be in sappy love song territory, but this lyric is just a patchwork of cliches. A full storyline isn't necessary, but I wanted some progression of action or a conflict or something. Basically: if he's holding her "once again" -meaning he's held her before- why does she need reassurance that "it's OK". Why wouldn't it be OK? I was left wondering what was going on in this song. That said, I thought the phrasing of the lyrics matched the melody perfectly. This was well done. I just wish the song said something new. Musically very strong, your good influences shine through. |
| 02-Nancy G. Firefly I Have A Song |
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| 03-Brian Dragonfly |
2
|
Dude, you're good. A couple of
the early lines on border be a little cliched. Music is original but still
points back to strong guitar pop influence. Good production, nice voice.
Sounds like you have your shit together.
Check out a guy named Will Kimbrough. You'd like him |
| 04-Markus Because of Monica |
3
|
Great arrangement, especially the
guitar the countermelody from which gives the tune texture. Lloyd Cole
fan? Lyrics themselves were very evocative - a couple places ("once
lead you", "prefer", "she'll leave, just let her go",
"nothing's in vain") where the lyrical phrasing and the melody
phrasing seemed to fight against each other.
Repetition of the verses seemed to weigh as the song went on, but throwing that tailpiece after the second verse (basically turning it into a chorus) would take care of this. It sounds like you're singing intentionally "nasal". I understand what you're going for, but I think this might sound better sung straight. You have a good "guitar ear", you know just what to play. Very pleasant, mellow tune. Again, reminded me a little of Lloyd Cole. That's a compliment. Overall a very good job. |
| 05-Todd Flowers in the Sun |
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| 06-Bobbio I Should Be Coming Home to You |
5
|
Well-produced Seventies MOR, but
musically pretty original. Particularly impressed by your use of key changes
to build up and resolve musical tension. Also liked the way you left the
bridge unresolved, leading us back to the verses. Good music for reflective
lyrics as the key changes represent his mind jumping around.
Lyrically, I liked the small word pictures of the man's activities but I got confused about the big picture. The song gives the early impression that the guy and the girl split up for some reason, and that the guy regrets that. Then suddenly he's looking into the future and they're together. I didn't see where this transition occurred, felt like it was just sprung upon me - kind of runs counter to the whole "thinking things through" theme of the song. You have a good voice for this kind of music. |
| 07-Jens More than A Cliché |
4
|
I could not open the Danish version,
only the English version.
I loved the sound of this. Belle & Sebastian meets Mike Flowers Pops. Kind of like elevator music but with a clunky texture to it. The juxtaposition of the florid and the clunky pianos in the solo part was classic. Your voice is pretty interesting. Not what I'd call good (join the club) and obviously not professionally trained, but totally different. It sounded like you were stumbling over the English a bit, but that actually endeared me to the song more. I don't know what kind of reception a demo like this is going to get, but the song is original and different. There are a lot of niches out there and you would be surprised It says here you are not a singer (I believe that) but obviously you can play the piano. Lyric-wise, I am not sure what this song is about in the context of the Valentine's Day theme. It struck me as more of a "peace song" about God (using the female pronoun). If that's wrong then I have no a jot of idea what it's about. Mixing the polished with the awkward gives you a fresh sound, and my advice would be to plumb and cultivate this. Develop yourself as a musician, put together a live performance technique and then go out and find your audience. Not everyone will like this, but there is an audience out there |
| 08-Kris S Who, When & Where |
1
|
Great song. Clear meaning, evocative and out-of-the-mainstream
words "what fools they be, leaving love behind like love comes around
for free", "say goodbye to a lover for fear of what they've
yet to find". Concise and very observant.
Beautifully composed and played. Is that tremolo played on a guitar or mandolin? I don't see any problem with the timing; I hear you playing from your voice's natural cadence instead of playing to keep time. You just as easily could have used backup singers as your only accompaniment, or a trumpet, but you used the guitar because you're obviously good enough to play in that style. I don't like your voice. It's an excellent voice, I just don't like it. Hah. Thought you were gonna get off clean, didn't you? ;-) Other than that, excellent stuff. |
| 09-Peter M Don't Care Who Knows |
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| 10-Kneena With All My Love |
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| 11-Dave C The Words That I Rehearse For You |
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